Tag: Urdd Gobaith Cymru

Climate change …

… but not the global emergency sort

The cultural climate in relation to Wales and the Welsh language also seems to be warming, if this newspaper headline is anything to go by.

I’ve been aware of an increasing media focus* on Wales and Welsh in the last few months. Even before Wales qualified for the football World Cup.

This recent Radio 4 programme in the series One to One is only the latest. It explores what it means to be a Welsh person in England (Emma Garland), and English in Wales (Mike Parker).

A cynical person might think

that this sudden interest in Wales is a move to set against the growing interest in independence for Wales.

Is it a deliberate policy of trying to neutralise the feeling of being ignored/abandoned by Westminster?

An uncynical person

might interpret it as a realisation: ‘Wow, it’s 2022 and now we’re more attuned to diverse voices and cultures within the UK, we can see that we’ve got this whole home-grown one right in our midst.’ Or – depending on your degree of Unionism – ‘We’ve got this whole home-grown one right next door to us’.

Whatever the reason

my fervent hope is that BBC-listening, heavyweight-newspaper-reading and politics-following publishers will clock all this and think: ‘Yes, we think novel-reading people are ready for a gem of a story translated from Welsh. It’s not an oddity, it’s interesting. Let’s take a look at this Susan Walton and her translation of Yn y Tŷ Hwn from the Welsh.’

 

Climate change (the emergency sort)

A little aside: if you are interested in the accelerating change in the earth’s climate (and who isn’t?) you might like to take a look at my other blog, where I post my original writing: ’Sgwennu Sue.

I’ve been writing the words: ‘Pan fydd yr holl iâ’n toddi, bydd y môr yn cyrraedd fan hyn and ‘When all the ice melts, the sea will be up to hereover and over and over on PostIt notes.

Starting to open up …

It’s now eighteen months since I finished my period of being mentored and when I finished the final version of This House, a translation into English of Yn y Tŷ Hwn by Sian Northey. Now, as covid repercussions diminish, some publishers are starting to open submission windows, and in-person cultural events are happening.

Submissions, submissions

In early January, when I last posted on this blog, This House had already been rejected by publishers A–E, and was awaiting an outcome from publishers F and G. It was swiftly rejected by G, and the outcome from F is still unknown after six months, so I’m presuming it’s not wanted.

Multiple submissions

Over the next few months, I’m not going to wait for the outcome of one submission or query before making the next. This means multiple submissions and queryings – but my spreadsheet is my friend. Bids H, I and J have already been sent.

 

Raising awareness of the Books Council of Wales

The other new tactic is to make submissees aware of possible Books Council grants that are available to publishers.

It’s only recently dawned on me how ignorant publishers outside Wales are about these. Because many source countries whose literature is translated into English help with this process financially, I’d presumed that publishers would automatically assume the same thing would be true of Wales – not so, it seems.

Meanwhile, on the border …

Hay Festival

I had rolled over a booking for two nights’ camping at Hay Festival since 2020, the year of being mentored. I decided to take the plunge this year, albeit without plunging into the enclosed performance spaces: I’m still being very cautious where I take my nose and windpipe.

Still, my main reason for going was to cruise and chat, and this I did – round the town and round the festival. And very interesting and enjoyable it was, especially watching an episode of Radio 3’s The Verb being recorded. Daniel Morden’s opening a – re-telling of the legendary origins of the bard Taliesin – was magnificent.

Whilst flâneuring about, I had the pleasure of running into one of my Sue Proof anchor clients. It was lovely to see her in person and have a chat over lunch.

The dark underbelly

The photo is of a commercial unit just next to the campsite I stayed on. It shows the other side of Hay. The campsite supervisor told me that these are dead books. This is the dark underbelly of ‘the town of books’: when Amazon divests itself of stock, it sells them to the warehouse chap. When he doesn’t sell them in Hay, this is how they end up.

In other news

My latest commissioned translation for the publishing house Gwasg Carreg Gwalch came out in the spring. It was chosen by the Books Council of Wales as one of its books of the month for May. That’s it in the front: Faster Than the Swords.

My next commissioned translation, Fleeing the Fascists, is almost done and will be coming out in September. This is the cover of the Welsh original, but the English will likely have the same design.

 *Long footnote

As well as the ‘One to One’ programme mentioned above, between February and June 2022 on BBC Radios 3, 4 and 6Music, I noticed:
—  Welsh comedian and national treasure Tudur Owen had a two-part dramatised story on Radio 4, and was a guest on both Start the Week and The News Quiz
—  a couple of months later, there was an entire Start the Week programme on the theme of Welsh identities
—  mention of St Dwynwen’s Day (the Welsh lovers’ day) was shoe-horned into a question in Counterpoint where Bryn Terfel happened to be singing the music in the question (but not in Welsh, nor was it Welsh music)
—  Katherine Stansfield’s poem ‘Beware Welsh Learners’ was on Poetry Please; it finishes with a line in Welsh: ‘Bore da, bore da.’ (Kath was, co-incidentally, one of the tutors on the course I attended at Tŷ Newydd)
—  there was a three-part series on Radio 4 from Jeremy Bowen called This Union: Being Welsh
—  Free Thinking on Radio 3 had an entire programme called ‘Speaking Welsh’
—  the 6Music Festival came from Cardiff this year, with Welsh being used as an equal language to English in the trailers for the event
—  Cerys Matthews presented a programme on Radio 4 called ‘Youth Unites’, celebrating the centenary of the Peace and Goodwill messages sent by the youth of Wales to the youth of the world by the Urdd Gobaith Cymru (oh, and guess what the topic is for 2022? –  the climate emergency)

On top of the i newspaper trumpeting Wales’ soccer achievements with its headline in Welsh, there have been these newspapery events:
—  The Sunday Times changed its style guide for naming our highest mountain – it’s now Welsh language first for Yr Wyddfa
—  to the bafflement of most of the UK press, Guto Harri, newly appointed Director of Communications for Boris Johnson, gave his first press interview to Golwg 360, which is a Welsh-language news website
—  the English translation of Manon Steffan Ros’ Welsh bestseller The Blue Book of Nebo was selected for inclusion in a list of children’s and YA books in The Guardian
—  The Bookseller recently devoted multiple spreads to the literary scene in Wales.

 

Words ©Susan Walton 2022. Photo of i newspaper ©Non Tudur, 2022. Photos of ‘can’t wait to be independent so we don’t have to deal with this crap anymore’ t-shirt, ‘when all the ice melts’ PostIt note, The Bean Box cafe in Hay on Wye, and dead books in Hay on Wye ©Susan Walton 2022. Photos of letter ‘H’ by Nikhil Mitra, letter ‘I’ by Michael Dziedzic, and letter ‘J’ by Zyanya BMO, all on Unsplash. Photo of Books Council of Wales books of the month from that organisation’s social media accounts. Video of the Urdd Gobaith Cymru’s Peace and Goodwill message from that organisation’s YouTube channel. Cover of Ffoi Rhag y Ffasgwyr ©Gwasg Carreg Gwalch, 2022.

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One year on

The year 2021 slips away; 2022 starts to gather pace.

We are now one year on from when I finished my period of being mentored, and finished the final version of This House.

This House is a translation into English of Sian Northey’s first novel, Yn y Tŷ Hwn, which I worked on throughout 2020. I was posting monthly on this blog during 2020, but decided to post just six-monthly updates from then on, to document my search for a publisher.

You can read my experiences with Publishers A, B, and C in my mid-2021 post, here. When I left off, I was about to pitch to Publisher D.  Unlike with Publishers A and B, I did not get a polite letter of rejection. I got …

… nothing. One presumes one is rejected after a certain time has elapsed since the pitch.

The search comes closer to home

Publisher E

I decided to take a different approach. With Sian Northey’s help, we approached a publisher based in Wales. As Sian is a well-known figure on the literary scene in Wales, there was no need to persuade this publisher that Yn y Tŷ Hwn was ‘like’ anything. It would be aware of Sian’s work and likely readership. I was aware of the quality of its products.

Nevertheless (can you tell what’s coming?), we got a very polite and  super-supportive email … of rejection.

Publisher F

Although Publisher F’s website says it does not intend to publish novellas (This House is novella length), I’d met a representative of this publisher at a seminar, pre-Covid-19. I wrote to this editor. They said Publisher F would be happy to consider This House. Progress!

Again, because they were already aware of Sian as an author, there was no need to sell This House as being ‘like’ anything this publisher already produces.

Publisher F told me in December 2021 that This House had cleared the first hurdle. It is now being considered by the entire editorial panel. We wait.

The joker in the pack – Publisher G

Per the well-known law of sod, while This House was being considered by Publisher F, Publisher G – a UK-wide publisher – tweeted in late November that it was opening a submission window during December. The call for submissions included literary novels and novellas.

I let both Publisher G and Publisher F know of my situation, and both said they would allow simultaneous submissions on this occasion, so I submitted to Publisher G at the end of December.

There was no time to investigate this publisher’s products ‘in the flesh’, and in any case it would seem that it is just now expanding into literary fiction – there don’t seem to be any literary fiction novels or novellas available on its website.

Once more, we wait.

The champagne is still on ice

In my last monthly post of 2020, as my year of being mentored under the Literature Wales scheme drew to a close, I wrote:

So maybe now, at the end of 2020, I can put the bubbly on ice, but not pour it for a while yet.

Well, at the end of 2021 the bubbly remains on ice, one year on from that. Will Publisher F make me an offer? Will Publisher G?

What next?

I have a few things in progress on the literary translation front. I’ve entered the John Dryden Translation Competition with an excerpt from This House. A win in this competition would raise my profile with those publishers I approach in the future. However, I won’t know whether I’ve been successful until much later in the year.

Again, to raise both my profile and Sian’s, I shall shortly be submitting my translation of a short story from Sian’s latest collection, Cylchoedd, to the Asymptote and Trafika Europe journals/websites for literary translations. If it is accepted by either or both, this will be a small lever in furthering my search for a publisher for This House.

Whatever else happens (or doesn’t) …

… I have a successful proofreading and copy-editing business. I also regularly translate children’s novels and other books, for money. I’ve recently finished the English version of Rhedeg yn Gynt na’r Cleddyfau, an adventure story set at the time of the Rebecca Riots in Wales. It’ll be out in 2022.

I’ve just started the translation of another children’s novel which will also come out in 2022, to coincide with the centenary of the Urdd Gobaith Cymru. It’s set during the Second World War, and starts with children of ‘undesirables’ being sent out of Germany on one of the last Kindertransports before war is declared. They end up with their exiled father in Aberystwyth, in Wales, but I can’t say more than that or I’d spoil the story.

My creativity comes out in other ways too. During the autumn of 2021, I’ve been doing part of an environmental art project. I shall restart this soon, when the weather improves.

 

Words ©Susan Walton 2022. Photo of hourglass by Paula Guerreiro; photo of letter ‘E’ by  Girl with red hat; photo of letter ‘F’ by Hello I’m Nik; photo of letter ‘G’ by Scott Evans; photo of champagne by Thomas Owen – all on Unsplash. Photo of Cylchoedd cover ©Gwasg y Bwthyn 2020; photo of  Rhedeg yn Gynt na’r Cleddyfau cover ©Gwasg Garreg Gwalch 2021.

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